Martin CREED

SOLO EXHIBITIONS

Sorrywereclosed, Brussel
Hessel Museum, CCS Bard, New York

Auckland City Art Gallery, Auckland/NZ
Michael Lett Gallery, Auckland/NZ
Michele Maccarone, 'Big Dogs', Los Angeles CA
The Wrong Gallery @ Tate Modern, London/GB
Johnen Galerie, 'Work No. 547',  Berlin/D
Fondazione Nicola Trussardi, 'I like things', Milan/I
Haubrokshows, 'The Lights off', Belin/D
Hauser & Wirth Zürich, Zurich/CH

Graves Art Gallery, Sheffield/GB
Ikon Gallery, 'Work No. 409' (permanent installation), Birmingham/UK
Van Abbe Museum, (permanent installation), Eindhoven/NL
Kunst-Station Sankt Peter Köln, 'Martin Creed - Lachen', Cologne/DE
CCA, 'Big in Japan', Kitakyushu/JP
ACCA Melbourne, 'The lights off', Melbourne/AUS
Galerie Rüdiger Schöttle, Munich/DE
Comptoir de Nylon, 'The light going on and off', Brusseles/B
Gavin Brown’s Enterprise, New York NY

Galerie Jörg Johnen, 'Work No. 360', Berlin/DE
Hauser & Wirth, London/GB
Galerie Emmanuel Perrotin, 'Work No. 330', Paris/FR
Centre for Contemporary Art, Udjadowski Castle, 'Martin Creed', cur. Pawel Polit, Warsaw/PL

Kunsthalle Bern, cur. Bernhard Fibicher, Bern/CH
Frac Languedoc-Roussillon, 'Beaucoup de Bruit pour Rien', cur. Emmanuel Lattreille, Montpellier/FR (with Marylene Negro)
Gavin Brown’s Enterprise, 'Work No. 300', New York NY
The British School at Rome, 'Work No. 289 ', cur. Christiana Perrella, Rome/IT
Galerie Analix Forever, 'SMALL THINGS', Geneva/CH

Alberto Peola Arte Contemporanea, 'A large piece of furniture partially obstructing a door', Turin/IT
The Wrong Gallery, New York NY

Galerie Johnen & Schöttle, 'The lights off', Cologne/DE
Rüdiger Schöttle, Munich/DE (with Anri Sala)
Hamilton Art Gallery, Hamilton/CDN
Micromuseum for Contemporary Art, 'Work No. 265', cur. Paolo Falcone, Palermo/IT

Camden Arts Centre, 'Martin Creed Works', cur. Godfrey Worsdale, London/GB
Sankt Peter’s Church, 'Work No. 252', Cologne/DE
Arte Continua, 'Arte all 'Arte', Cur. Gilda Williams and Roberto Pinto, San Gimignano/IT
'Art Now: Martin Creed', Tate Britain, London The Lights Going On And Off', Gavin Brown's Enterprise, New York NY
Gavin Brown's Enterprise, 'Work No. 227', New York NY
Times Square, 'Work No. 225', New York NY (Project of the Public Art Fund)
Southampton City Art Gallery, 'Martin Creed Works', Southampton/GB
Leeds City Art Gallery, 'Martin Creed Works', Leeds/GB
Bluecoat Gallery, Liverpool/GB

Marc Foxx Gallery, Los Angeles CA
Art Metropole, Toronto/CDN
Galerie Praz-Delavallade, Paris/FR
Cabinet Gallery, London/GB
The Portico, 'Work No. 203', cur. Ingrid Swenson, London/GB
Space 1999, 'Work No. 160', cur. Matthew Higgs, London/GB
Alberto Peola Arte Contemporanea, Turin/IT

Galerie Analix B & L Polla, Geneva/CH

Galleria Paolo Vitolo, Milan/IT
Victoria Miro Gallery, London/GB
The British School at Rome, Rome/IT

Galerie Analix B & L Polla, Geneva/CH
Galleria Paolo Vitolo, Milan/IT
Camden Arts Centre, London/GB
Javier Lopez Gallery, London/GB

Cubitt Gallery, cur. Matthew Higgs, London/GB
Marc Jancou Gallery, London/GB

Starkmann Limited, 'Work No. 78', London/GB

GROUP EXHIBITIONS

Städtisches Museum Abteiberg, 'Strange I`ve seen that face before', Mönchengladbach/DE
Secession, 'I (Ich) Performative Ontology', Wien/AT
Hessel Museum, CCS Bard, , 'Wrestle', New York/NY
Wiener Secession, 'I. Act Two', Wien/AT
MARCO, Museum of Contemporary Art Vigo, 'The invisible Show. Audio Works from the 20th Century', Vigo/ES, travels to: Centro José Guerrero, Granada/CA
Deborah Colton Gallery, 'Word', Houston/TX
Contemporary Art Gallery, 'Concrete Language', Vancouver/CA
Hayward Gallery, 'How to Improve the World', London/GB
Scape 2006, Biennial of Art in Public Space, Christchurch/NZ
New Art Gallery Walsall, 'Out of Place', Walsall/GB
Institute of Contemporary Arts, 'Surprise, Surprise', London/GB
Gallery Vianuova Art Contemporanea, 'Coincidence', Florence/IT
Schirn Kunsthalle, 'Nichts', Frankfurt/DE
Futura, 'I: Act One', Prague/CZ
Zwirner & Wirth, 'Yes Bruce Nauman', New York, July 7, 2006 – September 9, 2006
PS 1, 'Into Me / Out of Me', New York/NY
Israel Museum of Jerusalem, 'Other Voices, Other Rooms, Contemporary Art from the Frac Collections', Jerusalem/Il
MoMA Museum of Modern Art, 'Collection Rehang', New York/NY
Tate Modern, 'Collection Rehang', London/GB
Public Art Project, Art Basel, Basel/CH
4th Berlin Biennial for Contemporary Art, 'Of Mice and Men', Berlin/D
lukasfeichtner galerie, 'DISPOSITION', Vienna/AU
Palazzo delle Papesse, 'Good Vibrations', Siena/I
Ha Gamle Prestegard, 'Freeplay', Norway/NOR
Kunsthallen Brandts, 'Reality, Odense 10’55', Odense/DK
Centre Pompidou, 'Big Bang: Destruction and Creation in 20th Century Art' Paris/FR
Galerie Gisela Capitain, 'Houbrokshows: Sounds of Silence', Berlin/D
Mercer Union, 'Infinity ect. ', Toronto/CDN
Museum Franz Gertsch, '»the sublime is now!« das erhabene in der zeitgenössischen kunst', Burgdorf/CH
Städtisches Museum Abteiberg, 'Strange I’ve Seen That Face Before. Kunst, Design, Architektur im Kopf', Mönchengladbach/DE
Center for Curatorial Studies, Bard College, 'Draw a straight line and follow it', New York NY
Art School Palestine, 'As if by Magic', Bethlehem/PAL
The Royal Academy, 'The Summer Show', London/GB
The New Art Gallery Walsall, 'Art and Buildings', Walsall/GB
LACC, 'Crème anglaise', Dunkirk/FR

K20 Kunstsammlung, 'Ambiance – Des Deux Côtes du Rhin', Dusseldorf/DE
Tranzit, 'Narrow Focus', cur. Vít Havránek, Bratislava/SK
Casino Luxembourg, 'Joy', cur. Iara Boubnova, Enrico Lunghi, Luxembourg/LU
Zentrum Für Kunst und Medientechnologie, 'Light Art from Artificial Light', Karlsruhe/DE
The Lowry, 'The Art of White', Salford/GB
Büyük Londra Oteli, 'Encore', Istanbul/TR
Kulturhuset, 'Extra Ordinary', Stockholm/SE
CCA Wattis Institute for Contemporary Arts, 'General Ideas: Rethinking Conceptual Art 1987-2005', San Francisco CA
Musée d’art contemporain, 'Remagine: Oeuvres du Fonds National d’Art Contemporain ', Lyon/FR
Analix Forever, 'Fragile', Geneva/CH
Biennale d’Art Contemporain de Lyon, 'Expérience de la Durée', cur. Nicolas Bourriaud and Jérôme Sans, Lyon/FR
Gavin Brown’s enterprise, 'Drunk vs. Stoned 2', New York NY
Tranzit, 'Narrow Focus', cur. Vít Havránek, Prague/CZ
Printemps de Septembre, Toulouse/FR
CCA Wattis Institute for Contemporary Arts, 'Monuments for the USA', cur. Ralph Rugoff,
San Francisco CA
Longside Gallery, 'Size Matters: Exploring Scale in the Arts Council Collection',  Yorkshire/GB
Galeria Estrany – de la Mota, 'Feeling Strangely Fine', Barcelona/ES
Kunstmuseum Stuttgart, 'angekommen – Die Sammlung im eigenen Haus', Stuttgart/DE

Three Colts Gallery, 'Art News',  London/GB
Swiss Institute – Contemporary Art, 'None of the above' cur. John Armleder, New York NY
National Museum of Art, 'Moore to Hirst: 60 Years of British Sculpture', Bucharst/RO
Synagogue – Centre of Contemporary Art, 'Challenge' cur. Juraj Carny, Trnava/SK
Associazione Culturale Pneuma, 'Il vento ci porterà via', Castel San Pietro Terme/IT
Galerie Eugen Lendel, 'Nothingness', cur. Neil Wenman, Graz/AT
ICA, 'Artists’ Favourites, Act I and Act II' London/GB
Palais de Tokyo, 'Live', cur. Nicolas Bourriaud and Jérôme Sans, Paris/FR
Kunsthaus Baselland, 'Strategies of Desire', cur. Sabine Schaschl-Cooper, Muttenz/CH
Serpentine Gallery, 'State of Play', cur. Rochelle Steiner, London/GB
MOT, 'Russian Doll', London/GB
Ruzicska, 'Martin Creed', Salzburg/AT
Longside Gallery, ‘Bad Behaviour: from the Arts Council Collection’, Yorkshire/GB
Domaine Pommery, ‘Genesis Sculpture, Experience Pommery #1’, Reims/FR
Art Tower Mito, ‘Café in Mito’, Mito/JAP
Espace Paul Riquet, 'Sur la Terre Comme au Ciel', Béziers/FR
Kunsthaus Baselland, 'Strategies of Desire', cur. Sabine Schaschl-Cooper, Basel/CH
Museo d’Arte Contemporanea di Villa Croce, 'Art & Architettura, 1900-2000', Genova/IT

Kunstverein, 'Adorno', Frankfurt/DT
Galerie Thaddaeus Ropac, 'Skulpur 03', Salzburg/AT
Kunstverein, 'Soundsystem', Salzburg/AT
Museum Boijmans van Beuningen, 'Shine', Rotterdam/NL
Johnen & Schöttle, Cologne/DE
The Blue Gallery, 'Thatcher', London/UK

Galerie Johnen & Schöttle, 'BOYCE - CREED - SALA - SASNAL', Cologne/DE
Galerie Thaddaeus Ropac, 'The Young and the Hung', Salzburg/AT
Collection Haubrok, 'No Return', Mönchengladbach/DE
CCAC, 'Rock my World: Recent Art and the Memory of Rock’n’Roll', San Francisco CA
Wolverhampton Art Gallery, 'Strike', Wolverhampton/GB
Vista Mare associaione culturale, 'On/Off', Pescara/IT
Charlottenborg, 'My Head is on Fire but my Heart is Full of Love', Copenhagen/DK
The Museum of Modern Art, 'Tempo', New York NY
AR/GE Kunst Galerie Museum, 'To Actuality', cur. Maia Damianovic, Bozen/IT

Tate Britain, 'Turner Prize 2001', London/GB
Yokohama Museum, 'Space-Jack!', cur. Yukie Kamiya, Yokohama/JP
'White Light/White Noise', cur. Jimena Martin, Mexico City/MX
Museum of Contemporary Art, 'Art/Music: Rock, Pop, Techno', cur. Sue Cramer, Sydney,/AU
Brighton University Art Gallery, 'Makeshift', cur. David Green, Brighton/GB
Rooseum Center for Contemporary Art, 'Nothing in the Main Hall', Malmö/SE
CAC Contemporary Art Centre, 'Nothing', Vilnius/LT
Victoria Miro Gallery, 'Works on Paper', London/UK
Museum of Contemporary Art, 'Under Pressure', Tuscon/US and
Swiss Institute, 'Under Pressure', New York/US

Whitechapel Art Gallery, 'Protest and Survive', London/GB
Fondazione Pistoletto, 'A casa di... ', cur. Giacinto di Pietrantonio, Biella/IT
Tate Britain, 'Intelligence: New British Art 2000', London/GB
Shed im Eisenwerk, '...Sabotage... ', cur. Sabine Schaschl, Frauenfeld/CH
Exit Art, 'Collector’s Coice', New York NY
'The British Art Show 5', cur. Pippa Coles, Matthew Higgs and Jacqui Poncelet, Edinburgh/GB
Chelsea & Westminster Hospital, 'Don’t worry', cur. Tamsin Dillon, London/GB
Kunstraum Innsbruck, 'The Invisible Touch', cur. Maia Damianovic, Innsbruck/AT
CAC Contemporary Art Centre, 'Proper', Vilnius/LT
Kunstraum Innsbruck, 'The Invisible Touch', Innsbruck/AT
La Tourette, 'Perfidy: Surviving Modernism', Evuex-sur-Arbresle/FR and Kettle’s Yard, 'Perfidy: Surviving Modernism', Camebridge/UK

Galerie Krinzinger, 'Limit Less, Aktuelle Britische Kunst', cur. Matthew Higgs, Vienna/AT
Museum of Contemporary Art, '54x54x54', London/GB
291 Gallery, 'Porcupines/Arthinking', cur. Graham Higgin, London/GB
California College of Arts and Crafts, 'Searchlight: Consciousness at the Millenium', cur. Lawrence Rinder, San Francisco CA
Or Gallery, 'Getting the Corners', cur. Matthew Higgs, Vancouver/CA
ICA, 'Nerve', cur. Nerve Systems, London/GB
Anthony Wilkinson Gallery, London/GB
Watou, 'SERENDIPITY', cur. Giacinto Di Pietrantonio, Watou/BE
Centre regional d’art contemporain, 'Ainsi de suite 3 (Teil II)', cur. Sabine Schaschl, Sète/FR
CAC Contemporary Art Centre, 'Dimensions Variable – Contemporary British Art', Vilnius/LT

Spacex Gallery, 'Lovecraft', cur. Martin McGeown and Toby Webster, Exeter/GB
Gavin Brown's enterprise, 'Not Today' New York  NY
Wiensowski & Harbord, 'Imitating Christmas', cur. Jens Hoffmann, Berlin/DE
11th Biennale of Sydney, 'every day', cur. Jonathan Watkins, Sydney/AU
Titanik, 'Proper: Blind Date 1', cur. Paula Toppila, Turku/FI
Whitechapel Art Gallery, 'Speed', cur. Jeremy Millar, London/GB
Kunsthalle, 'Crossings', cur. Cathrin Pichler, Vienna/AT
Galerie Praz-Delavallade, 'Camouflage 2000', Robert Garnett, Paris/FR
South London Gallery, 'Lovecraft', cur. Martin McGeown and Toby Webster, London/GB
Cabinet Gallery, 'Sunday', cur. Matthew Higgs, London/GB
Galleria Paolo Vitolo, 'An Idea of Art / Art and Life', Milan/IT
Delfina, cur. David Gilmore, London/GB
Todd Gallery, 'Not Nothing', London/GB

'Dimensions Variable', Helsinki /FI and Stockholm/SE
Galerie de l'Ancien College, 'Laure Genillard - Une selection et une collection', Chatellerault/FR
CCA, 'Lovecraft', cur. Martin McGeown and Toby Webster, Glasgow/GB
Cairn Gallery, Nailsworth, Gloucestershire/GB
City Racing, 'Thoughts', cur. Carolina Grau, London/GB
Up & Co., 'Supastore de Luxe No.1', cur. Sarah Staton, New York NY
Art Metropole, 'Answer Affirmative or Negative', Toronto/CA
Galerie Mot & van den Boogaard, cur. Macha Roesink, Brüssel/BE
CASCO, 'Snowflakes Falling on the International Dateline', Utrecht/NL
Norwich Gallery, 'Imprint 93 (and other related ephemera)', cur. Matthew Higgs, Norwich/GB

Musee d'Art Moderne, 'Life / Live', cur. Laurence Bosse and Hans Ulrich Obrist, Paris/FR
Anthony d'Offay Gallery, 'Against', London/GB
Design Institue, 'The Speed of Light, The Speed of Sound', cur. Jeremy Millar, Amsterdam/NL
Arts Council Collection, Hayward Gallery, 'Ace!', London/GB
Karsten Schubert, 'A Century of Sculptors' Drawings', London/GB
Sainsbury Centre for Visual Arts, 'East International', Norwich/GB
Galleria Paolo Vitolo, 'Trace 1995-96', Milan/IT
Eisfabrik, 'weil morgen', cur. Stefan Kalmar, Hannover/DE
Castello di Rivara, 'Affinata', cur. Carolin Lindig, Turin/IT
Royal College of Art, 'try', London/GB
Focal Point Gallery, 'Kiss This', Southend-on-Sea/GB
The Rooms, 'Some Drawings: From London', cur. Kate Bernard, London/GB
Three Month Gallery, 'A4 Favours', cur. Padraig Timoney, Liverpool/GB
Bund, 'Banana Republic', London/GB

Cubitt Gallery, 'Just Do It', cur. Stefan Kalmar, London/GB
Laure Genillard Gallery, London/GB
City Racing, 'Imprint 93 / City Racing', cur. Matthew Higgs, London/GB
Bank, 'Zombie Golf', London/GB
Anthony Wilkinson Fine Art, 'Unpop', cur. Bob and Roberta Smith, London/GB
Three Rooms and a Kitchen, 'The Fall of Man', Pori/FI
Starkmann Ltd., 'In Search of the Miraculous', London/GB
Viafarini, 'Fuori Fase', cur. Angela Vettese, Milan/IT
Jibby Beane, 'Multiple Choice', London/GB
Forde, 'Snow Job', cur. Lionel Bovier, Geneva/CH
Last order(s), 'My Darling Cicciolina... ', cur. Francesca Piovano, London/GB

Rhizome, 'Conceptual Living', cur. Macha Roesink, Amsterdam/NL
Marc Jancou Gallery, 'The Little House on the Prairie', London/GB
Transmission Gallery, 'Modern Art', Glasgow/GB
Cabinet Gallery, 'Imprint 93/Cabinet Gallery', cur. Matthew Higgs, London/GB
Gio' Marconi, 'Domestic Violence', cur. Alison Jacques, Milan/IT
CCA, 'Art Unlimited: Multiples of the 1960s and 1990s', Glasgow/GB, [travelled to Todd Gallery, London/GB]
Laure Genillard Gallery, 'Sarah Staton's Supastore Boutique', London/GB
IAS, 'Potato', cur. Gary Thomas, Steve McIntyre and Alison Jacques, London/GB
Todd Gallery, London/GB

Lisson Gallery, 'Wonderful Life', London/GB

Laure Genillard Gallery, 'Inside a Microcosm', cur. Gareth Jones, London/GB
Transmission Gallery, 'Outta Here', cur. Douglas Gordon, Glasgow/GB
Angel Row Gallery, cur. Mark Dey, Nottingham/GB

Laure Genillard Gallery, London/GB
Angel Row Gallery, cur. Mark Dey, Nottingham/GB

Awards and Grants

Turner Prize

selected bibliography

PUBLICATIONS

Casino Luxembourg – Forum d’art contemporain asbl, Luxembourg (ed.), 'joy', Luxembourg: Imprimerie centrale S.A., Luxembourg, 2006 (exh.cat)
British Council Switzerland (ed.), 'Talking Art 2003-2006', Berne: British Council Switzerland, 2006 (exh. brochure)
Städtisches Museum Abteiberg (ed.), 'Strange I`ve seen that face before', Mönchengladbach/Cologne: Städtisches Museum Abteiberg/Dumont Verlag, 2006 (exh.cat.)

d’Ailly, Stella / Olausso, Lisa / Sten, Maya, 'Extra Ordinary', Stockholm: Printfabriken, 2005 (exh.cat.)
Biennale de Lyon 2005 (ed), 'Expérience de la durée', Paris: Paris musées, 2005 (exh.cat.)
ACCA, 'The lights off', Melbourne, 2005 (exh. cat.), 'Martin Creed', in: Art Unlimited, Basel, 2005, pp. 58-59, ill.

Stefan Brüggemann (ed), 'Capitalism and Schizophrenia', Turner, 2004, (exh. cat.)
Kunsthalle Bern (ed.), 'Martin Creed', Bern, 2004 (exh. cat.)
Centre for Contemporary Art Ujazdowski Castle (ed.), 'Martin Creed: the whole world + the work = the whole world', Warsaw, 2004 (exh. cat.)
Palais de Tokyo (ed.), 'Live', Paris, 2004 (exh.cat.)
Longside Gallery, 'Bad Behaviour: from the Arts Council Collection', Yorkshire, 2004 (exh.cat.)
Domaine Pommery, 'Genesis Sculpture, Experience Pommery #1', Reims, 2004 (exh.cat.)

Museum Boijmans Von Beuningen (ed.), 'Shine: Wishful Fantasies and Visions of the Future in Contemporary Art', Rotterdam: Museum Boijmans Von Beuningen, 2003 (exh.cat.)

Bradley, Will, Bretton-Meyer, Henriette, Webster, Toby, 'My Head is on Fire but my Heart is Full of Love', Copenhagen: Charlottenborg Udstillingbygning / Glasgow: The Modern Institute, 2002 (exh.cat.)
CCAC Wattis Institute for Contemporary Arts (ed.), 'Rock My World: Recent Art and the Memory of Rock’ n’ Roll' [text by: Ralph Rugoff, Ann Powers, Matthew Higgs], San Francisco: CCAC Wattis Institute for Contemporary Arts, 2002 (exh.cat.)
Herkenhoff, Paolo, Marcoci, Roxana, Basilio, Miriam, 'Tempo', New York: The Museum of Modern Art, 2002 (exh.cat.)
Collection Haubrok (ed.), 'No Return', Mönchengladbach, 2002, (exh.cat.)

Pinto, Roberto, Williams, Gilda (ed.), 'Arte All’Arte – V edizione 2000', Roma: Gli Ori / San Gimignano: Arte Continua, 2001
Kamiya, Yukie (cur.), 'Space-Jack!', Yokohama: Yokohama Museum of Art, 2001 (exh.cat.)

Button, Virginia, Esche, Charles (ed.), 'Intelligence. New British Art 2000', London: Tate Publishing, 2000
Southamton City Art Gallery (ed.), 'Martin Creed Works', Southamton: Southamton City Art Gallery, 2000 (exh.cat.)
Whitechapel Art Gallery (ed.), 'Protest And Survive', London, 2000 (exh.cat.)
Shed im Eisenwerk (ed.), '...sabotage... ', Frauenfeld, 2000 (exh.cat.)
Chelsea & Westminster Hospital, 'DON'T WORRY', London, 2000 (exh.cat.)

Rindler, Lawrence (ed.), 'Searchlight: Consciousness at the Millennium', London: Thames & Hudson, 1999
Collings, Metthew (ed.), 'This is Modern Art', London: Weidenfeld & Nicolson, 1999
Patrizio, Andrew (ed.), 'Contemporary Sculpture in Scotland', Craftsman House (imprint of G&B International, Sydney), 1999 (exh.cat.)
Di Pietrantonio, Giacinto, Mandelinck, Gwy, 'Serendipity', Watou Poeziezomer, 1999

Obrist, Basualdo, Bonami, Cameron [et al.], 'cream – contemporary art in culture', London: Phaidon Press, 1998
Bingham, Juliet, Watkins, Jonathan, Spark, Joe, 'every day', Sydney: Biennale of Sydney Ltd, 1998
Groos, Ulrike, Müller, Markus, 'Make it Funky: Crossover zwischen Musik, Pop, Avantgarde und Kunst', Cologne: Oktagon Verlag, 1998
Cathrin, Pichler, 'Crossings. Kunst zum Hören und Sehen', Vienna: Kunsthalle Wien/Ostfildern: Hatje Cantz Verlag, 1998 (exh.cat.)
Whitechapel Art Gallery (ed.), 'Speed', London, 1998 (exh.cat.)
Toppila, Paula, 'Proper (blind date) 1-3', Helsinki: Frame Finnish Fund for Art Exchange, 1998 (exh.cat.)

Collings, Matthew, 'Blimey. From Bohemia to Britpop', London: 21, 1997
Gallagher, Ann, 'Dimensions Variable – New Works for the British Council Collection', London: The British Council, 1997

Rolo, Jane, Hunt, Ian (ed.), 'Bookworks – A Partial History and Sourcebook', London: Bookworks, 1996
Bosse, Laurence, Obrist, Hans Ulrich (ed.), 'Life/Live', Paris: Paris-Musées, Éditions des Musées de la Ville de Paris, 1996 (exh.cat)
Creed, Martin, 'Martin Creed: the whole world + the work = the whole world' [artist’s book, text by: John O’Reilly], Geneva: Galerie Analix B&L Polla/London: Karsten Schubert Gallery, 1996
Arts Council of England (ed.), 'Ace!', London: Arts Council of England, 1996
Frith Street Gallery, Karsten Schubert Gallery (ed.), 'From Figure to Object: A Century of Sculptors', London: Frith Street Gallery/Karsten Schubert Gallery, 1996 (exh.cat.)
Norwich Gallery, Sainsbury Centre for Visual Arts (ed.), 'EAST International', Norwich: Norwich Gallery/Sainsbury Centre for Visual Arts, 1996 (exh.cat.)

ARTICLES

Schedlemayr, Nina, 'Disposition. Versponnenheit schlägt blutleere', in: Spike, Vienna, Summer 2006, no. 8, pp. 72-73
Ollman, Leah, 'Creed’s work delivers a shock', in: LA Times, Los Angeles/CA, August 25, 2006
Hensher, Philip, 'That’s a Hirst? It’ll never sell...', in: The Independent, London, August 4, 2006
Falconer, Morgan, 'Never a Hirst. Is it?', in: The Times, London, August 1, 2006, ill.
Teodorczuk, Tom, 'The pig and the penguin: ICA trots out genius of youth', in: Evening Standard, London, July 31, 2006, p. 23, ill.
Moore, Christopher, 'Scape set to transform city', in: The Press, Christchurch, July 19, 2006, ill.
Vetter, Christian, 'Update: Zurich', in: We are the Artists, Zurich, No. 7, May-July, 2006, p. 7, ill., 'Ehemalige jüdische Mädchenschule, Auguststr. 11-13. Martin Creed', in: Kunstforum, Ruppichteroth, vol. 180, May-June 2006, pp. 242-243, ill.
Malvern, Jack, 'Art of noise kicks up a stink', in: The Times, London, May 23, 2006, p. 5
Basting, Barbara, 'Glanzlichter der Woche', in: Züritipp (insert in: Tagesanzeiger), Zurich, February 23 – March 1, 2006, p. 45, ill.
Hess, Ewa, 'Kunst, aber schnell!', in: Sonntagszeitung, Zurich, January 22, 2006, p. 47, ill.

Büsser, Martin, 'Short Waves: Professionalisiertes Hobby', in: Texte zur Kunst, Berlin, vol. 15, no. 60, December 2005, pp. 184-186, ill.
Stech, Fabian, 'Kontemplation', in: Kunstforum, Ruppichteroth, vol. 178, November 2005-January 2006, pp. 220-225, ill.
Morton, Tom, 'Lyon Biennal', in: Frieze, London, issue 95, November-December 2005, pp. 128-129, ill.
Ta.G., 'Le temps dans l’art', in: Tribune des Arts, Geneva, October 7, 2005, p. 67, ill.
Schoon, Andi, 'In Concert – Bildende Kunst und Musik. Erst denken, dann rocken', in: Spex, Cologne, no. 10, October 2005, pp. 60-61, ill.
Meltzer, Eve, 'Monuments for the USA', in: Frieze, London, Issue 92, June-August 2005, p. 160
Hardy, Katherine, 'Martin Creed: artist or musician? ', in: The Art Newspaper, New York, June 17, 2005, p. 2, ill.
Douglas, Sarah, 'Report from Basel', in: Artinfo, Berlin, June 16, 2005, ill.
Cattelan, Maurizio, 'Something to work for. Martin Creed interviewed by Maurizio Cattelan', in: Flash Art International, Milan, vol. 38, no. 242, May-June 2005, pp. 110-111, ill.
Lafuente, Pablo, 'Down up', in: Flash Art International, Milan, vol. 38, no. 242, May-June 2005, pp. 114-115, ill.
Harding, Jessica, 'Portrait of a Lady with an Ermine', in: Another Magazine, New York, Spring-Summer 2005, p. 98, ill.
Bishop, Claire, 'But is it-Installation Art?', in: Tate etc., London, Issue 3, Spring 2005, pp. 26-35, ill.
Coles, Alex, 'Martin Creed', in: Frieze, London, No. 89, March 2005, pp. 130-131, ill.
Lafuente, Pablo, 'Martin Creed', in: Flash Art, Milan, vol. XXXVIII, no. 240, January-February 2005, ill.

Herbert, Martin, 'On the ground. London', in: Artforum, New York, vol. XLIII, no. 4, December 2004, pp. 73-76
Anderson, Hephzibah, 'Art News', in: Metro, London, November 26-December 2, 2004
O’Reilly, Sally, 'Martin Creed', in: Art Monthly, London, no. 281, November 2004, pp. 34-35, ill.
Chapman, Peter, 'Private View: Martin Creed. Hauser & Wirth, London W1', in: Independent, London, October 23-29, 2004, p. 17, ill.
Campbell-Johnston, Rachel, 'This Week. The Best of the Arts chosen by The Times Team of Critics', in: Weekend Review (insert in The Times), London, October 23, 2004, p.1
Coomer, Martin, 'Martin Creed', in: Time Out, London, October 20, 2004, ill.
Güner, Fisun, 'Get the ball rolling', in: Metro, London, October 12, 2004, p. 26, ill.
Akbar, Arifa, 'In art, you have to kick a few ideas around', in: The Independent, London, October 8, 2004, p. 3, ill.
Fisher, Neil, 'First Choice', in: The Times, London, October 8, 2004, p. 18
Byrnes, Sholto, 'An on/off affair', in: The Independent Review, London, October 7, 2004, pp. 6, 8,  ill.
CB, 'Martin Creed', in: The Guide, London, October 2-8, 2004, p. 37, ill.
Groos, Ulrike, 'Zum Stand der Dinge. Ulrike Groos über Kunst und Musik', in: Kunstzeitung, Regensburg, October 2004, p. 22, ill.
Roberts, Alison, 'This will put a smile on your face', in: Evening Standard, London, August 3, 2004, p. 41, ill.
Freia, Oliv, 'Leidenschaft fürs Schlichte“, in: Münchner Merkur, Munich, May 18, 2004, ill.
Cullinan, Nicholas, 'State of Play', in: Frieze, london, no. 82, April 2004, pp. 93-94, ill.
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asz, 'Licht an', in: Neue Zürcher Zeitung, Zurich, November 22, 2003, p. 48
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kng, 'Kunsthalle Bern: Martin Creed', in: Basler Zeitung, Basel, November 1, 2003, p. 43, ill.
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Millward, David, 'Turner Prize treatment for House of Commons Artist aims to shed some light on politicians', in: Daily Telegraph, London, December 7, 2002, p. 11
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Brooks, Richard, 'Martin Creed, Biteback', in: Sunday Times, London, January 13, 2002, p. 12
Davies, Brian, 'Letter: Alphabet as art', in: The Independent, London, January 7, 2002, p. 2
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Lubbock, Tom, 'A letter in the newspaper', in: The Independent, London, January 1, 2002, pp. 6-7, ill.
Sans, Jerome, 'On Stage', in: The Curator’s Egg, no. 3, 2002

Whitworth, Damian, 'Madonna swears by her artful defence', in: The Times, London, December 20, 2001, p. 3
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Grimston, Jack, 'Turner lights have glow of earlier art', in: Sunday Times, London, December 16, 2001, p. 7
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Brown, Craig, 'Way of the World: The Turner dinner', in: Daily Telegraph, London, December 11, 2001, p. 25
Campbell-Johnston, Rachel, 'Nothing ventured', in: The Times, London, December 11, 2001, p. 17
Mullins, Charlotte, 'The tailor who created the emperor’s new clothes', in: The Independent, London, December 11, 2001, p. 5
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Reynolds, Nigel, 'Turner Prize won by man who turns the lights off', in: Daily Telegraph, London, December 10, 2001, ill.
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Gibbons, Fiachra, 'Judges switched on as Turner Prize goes to the Creed of nothingness', in: The Guardian, London, December 10, 2001, p. 3
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Aidin, Rose, 'Bright lights, small islands', in: The Times, London, November 24, 2001, p. 42-43, ill.
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Bishop, Claire, 'The Creed of Banality', in: Evening Standard, London, November 14, 2000, p. 57
Coles, Alex, 'Martin Creed at City Art Gallery', in: Art in America, New York, no. 11, November 2000, pp. 176, ill.
Jones, Jonathan, 'Let there be light', in: The Observer, London, March 19, 2000, pp. 16-17, ill.
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Buck, Louisa, 'London Calling by Louisa Buck', in: The Art Newspaper, London, no. 98, December 1999
Meenaghan, Tony, 'Q: Is this a screwed up piece of paper or the star of new art exhibition? A: BOTH’', in: The Mirror, London, November 12, 1999, p. 15
Cara, Page, 'This Crumpled Sheet of A4 is a Work of Art', in: The Daily Record, Glasgow, November 12, 1999
Mark, Lisa Gabrielle, 'Frash Heir', in: C, International Contemporary Art Publication, Toronto, no. 63, September 1999
Liebmann, Lisa, Adams, Brooks, 'A Summer Place', in: Art in America, New York, vol. 87, no. 6, June 1999, pp. 100-107, ill.
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Jones, Jonathan, 'What’s so minimal about 15 000 balloons?', in: The Observer, London, March 14, 1999
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Buck, Louisa, 'UK Artist Q&A' [interview], in: The Art Newspaper, London, no. 86, November 1998
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Pigott, Hadrian, [et al.], 'Go into a shop and ask for nothing', in: Very, New York, no. 2, 1997
Green, David, 'Minimal Interventions', in: Contemporary Visual Arts, London, no. 17, 1997
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Archer, Michael, 'The Object of Art', in: Art Monthly, London, no. 208, July-August 1997
Kyriacou, Sotiris, 'Propositions', in: Art Monthly, London, no. 208, July-August 1997
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Joliffe, Kira, 'The Idler Presents: Owada', in: The Idler, London, no. 18, Spring 1997
Coles, Alex, 'Martin Creed – No Entry', in: Art + Text, Los Angeles, no. 56, February-April 1997
van den Boogaard, Oscar, 'zonder titel 1 T/M 4', in: Metropolis M, Utrecht, no. 1, February 1997

Williams, Gilda, 'Martin Creed Tabula Rasa', in: Art Monthly, London, no. 195, April 1996

Piccoli, Cloe, 'Martin Creed', in: Flash Art Italia, Milan, December-January 1995-1996
Kent, Sarah, 'Sound&Vision', in: Time Out, London, August 30 – September 9, 1995
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Arts Council of England (ed.), 'Art Unlimited: Multiples of the 1960s and 1990s', London: Arts Council of England, 1994
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Collings, Matthew, 'Matthew Collings on some kind of sculpture show at Laure Genillard', in: City Limits, London, January 1992