Sean Landers

Born in 1962 in Palmer, MA USA
Lives and works in New York, NY USA

EDUCATION

1986
MFA, Yale University School of Art, New Haven, CT

1984
BFA, Philadelphia College of Art, Philadelphia, PA

SOLO EXHIBITIONS

2012
Galerie Rodolphe Janssen, Brussels, Belgium
Longmore, Sorry We’re Closed, Brussels, Belgium
Greengrassi, London, United Kingdom

2011
Around the World Alone, Friedrich Petzel Gallery, New York, NY, USA
Sean Landers : A Midnight Modern Conversation, Marianne Boesky Gallery, New York, NY, USA

2010
Sean Landers: 1991–1994, Improbable History, Contemporary Art Museum St. Louis, St. Louis, MO, organized by Laura Fried and Paul Ha (catalogue)

2009
Sean Landers: Art, Life and God, Glenn Horowitz Bookseller, East Hampton, NY, curated by Jeremy Sanders (publication)
Greengrassi, London, United Kingdom
Sean Landers: Sadness Racket, Taka Ishii Gallery, Tokyo, Japan

2008
Sean Landers: “Set of Twelve”, Friedrich Petzel Gallery, New York, NY, USA
Sean Landers: Chagrins of the New Episteme, Galerie Giti Nourbakhsch, Berlin, Germany

2007
China Art Objects, Los Angeles, CA, USA
Andrea Rosen Gallery, New York, NY, USA

2006
Taka Ishii Gallery, Tokyo, Japan
Greengrassi, London, UK

2005
Galerie Giti Nourbakhsch, Berlin, Germany

2004
China Art Objects, Los Angeles, CA, USA
Sister, Los Angeles, CA, USA
Kunsthalle Zürich, Zürich, Switzerland, curated by Beatrix Ruf (catalogue)
Andrea Rosen Gallery, New York, NY, USA

2003
Greengrassi, London, United Kingdom
Sean Landers: Psycomatica Tokyo, Taka Ishii Gallery, Tokyo, Japan
Sean Landers: Psychomachia, Rebecca Camhi Gallery, Athens, Greece

2001
Galerie Jennifer Flay, Paris, France
Andrea Rosen Gallery, New York, NY, USA

2000
Greengrassi, London, United Kingdom
Taka Ishii Gallery, Tokyo, Japan

1999
Sean Landers: “La Periode Vache”, Contemporary Fine Arts, Berlin, Germany
Andrea Rosen Gallery, New York, NY, USA
Galeria Presença, Porto, Portugal

1998
Taka Ishii Gallery, Tokyo, Japan
Crown Gallery, Brussels, Belgium

1997
Andrea Rosen Gallery, New York, NY, USA
Studio Guenzani, Milan, Italy

1996
Contemporary Fine Arts, Berlin, Germany
Rebecca Camhi Gallery, Athens, Greece
Stuart Regen Projects, Los Angeles, CA, USA

1995
Galerie Jennifer Flay, Paris, France
Andrea Rosen Gallery, New York, NY, USA
Galerie Birgit Kung, Zürich, Switzerland

1994
Bruno Brunnet Fine Arts, Berlin, Germany
Sean Landers: New Work, Jay Jopling/White Cube, London, United Kingdom
Stuart Regen Projects, Los Angeles, CA, USA

1993
Andrea Rosen Gallery, New York, NY, USA
Galerie Esther Schipper, Cologne, Germany
Galerie Jennifer Flay, Paris, France

1992
Andrea Rosen Gallery, New York, NY, USA

1991
Robbin Lockett Gallery, Chicago, IL, USA
Galerie Marc Jancou, Zürich, Switzerland

1990
Sean Landers—Art, Life and God, Postmasters Gallery, New York, NY, USA
Postmasters Gallery, New York, NY, USA

1989
Thomas Solomon’s Garage, Los Angeles, CA, USA
Petra, organized by Ileen Sheppard, Queens Museum, Queens, NY, USA

GROUP EXHIBITIONS

2014
AFTERSHOCK: The impact of radical art spanning 4 decades, Edelman Arts, New York, NY USA

2013
Drawing Time, Reading Time, curated by Claire Gilman, The Drawing Center, New York, USA
Aquatopia: The Imaginary of the Ocean Deep, curated by Alex Farquarson, Nottingham Contemporary, Nottingham, UK. Travels to: Tate St. Ives, St. Ives, UK (catalogue)
Summer Reading, The Hole, New York, NY, USA
Unlimited, curated by Gianni Jetzer, Messe Basel, Basel, Switzerland
DSM-V, curated by David Rimaneli, presented by Vito Schnabel, The Future Moyhihan Station, New York, NY, USA
Busted, curated by Cecilia Alemani, The High Line, New York, NY, USA
NYC 1993: Experimental Jet Set, Trash and No Star, curated by Massimiliano Gioni, Gary Carrion-Murayari, Jenny Moore and Margot Norton, New Museum, New York, NY, USA (catalogue)
Merci Mercy, co-curated by Christine Messineo and Vladimir Restoin Roitfeld, Vladimir Restoin Roitfeld, New York, NY, USA

2012
The man who would be king, Patricia Low Contemporary, St-Moritz, Switzerland
Freedom not Genius: Works from Damien Hirst’s Murderme Collection, curated by Elena Geuna, La Pinacoteca Giovanni e Marella Agnelli, Turin, Italy (catalogue)
The Feverish Library, organized in cooperation with Matthew Higgs, Friedrich Petzel Gallery, New York, NY, USA
It’s Always Summer on the Inside, organized by Dan McCarthy, Anton Kern Gallery, New York, NY, USA (catalogue)
Looking Back for the Future, Kunsthalle Zürich, Zürich, Switzerland
Pittura (1995–2009), Studio Guenzani, Milan, Italy
Spelling the Image, Marc Jancou Contemporary, New York, NY, USA
Artists’ Book Not Artists’ Book, curated by Johan Kugelberg and Jeremy Sanders, Boo-Hooray Gallery, New York, NY, USA (catalogue)
A Plea for Tenderness, curated by David Raymond Conroy, Seventeen Gallery, London, UK

2011
Syntax: Text and Symbolism for a New Generation: Works from the Hadley Martin Fisher Collection, Tampa Museum of Art, Tampa, FL, USA
1:1, (Sean Landers: Around the World Alone: Ancient Mariner, May 6–14), Friedrich Petzel Gallery, New York, NY, USA
CLAP, curated by Nova Benway, Michelle Hyun, Nathan Lee and Dylan Peet, in collaboration with Tom EcclesHessel Museum of Art, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, USA
Midnight Party, curated by Joan Rothfuss, Walker Art Center, Minneapolis, MN, USA
Let It End Like This, curated by Todd Zuniga, apexart, New York, NY, USA

2010
The Inauguration of China Art Objects in Culver City, China Art Objects, Los Angeles, CA, USA
Re-Dressing, Bortolami Gallery, New York, NY, USA
Peter Saville: Accessories to an Artwork, Glenn Horowitz Bookseller, East Hampton, NY, USA
Tom of Finland and then some, Feature Inc., New York, NY, USA
Alles Berliner, Galerie Niels Borch Jensen, Berlin, Germany
She Awoke with a Jerk, curated by Nigel Cooke, Andrea Rosen Gallery, New York, NY, USA
Beside Himself—Exhibiting Male Anxiety, curated by Terri C, Ditch Projects, Springfield, OR, USA
An Act of Mischievous Misreading, curated by Anna Gritz, Smith International Studio and Curatorial Program, Brooklyn, NY, USA

2009
Remap 2: Midsummer Night’s Dream: Intercessions, Open Air Screening Room, curated by Marina Fokidis and organized by ReMap KM, Athens, Greece
The Making of Art, curated by Dr. Martina Weinhart, Schirn Kunsthalle Frankfurt, Germany (catalogue)
This Is Killing Me, organized by Diana Nawi Massachusetts Museum of Contemporary Art, North Adams, MA, USA (brochure)
Grin & Bear It: cruel humor in art and life, curated by Claire Feeley and Matt Packer, Lewis Glucksman Gallery, University Gallery Cork, Cork, Ireland
Jean-Luc Blanc: Opera Rock, curated by Alexis Vaillant, Musée d’Art Contemporain de Bordeaux, Bordeaux, France
Talk Dirty to Me . . . , curated by Matvey Levenstein, Larissa Goldston Gallery, New York, NY, USA
Floors/Walls, curated by Matthew Higgs, Galerie Giti Nourbakhsch, Berlin, Germany
You Will Never Wake up from This Beautiful Dream, curated by Johan Vansteenkiste, Vanmoerkerke Collection, Oostende, Belgium

2008
China Art Objects at Cottage Home, Los Angles, CA, Emerson vs. Nietzsche, September 12–October 4
Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY, Ithaca Collects, June 28–August 17, curated by Ellen Avril, Nancy Green, Andrea Inselmann, and Andrew Weislogel
White Columns, New York, NY, That social space between speaking and meaning, June 18–July 26, curated by Fia Backström (brochure; not in Exhibition Catalogue section)
Kunstmuseum Luzern, Lucerne, Switzerland, Blasted Allegories, Werke aus der Sammlung Ringier/Works from the Ringier Collection, May 16–August 3, curated by Beatrix Ruf and Peter Fischer (catalogue)
Swiss Institute/Contemporary Art, New York, NY, The Why of Life, April 9– May 17, curated by Gianni Jetzer
Hessel Museum of Art, Center for Curatorial Studies, Bard College, Annandale-on- Hudson, NY, Second Thoughts, March 16–May 25
Sidney R. Yates Gallery, Chicago Cultural Center, Chicago, IL, Slightly Unbalanced, January 26–April 13, curated by Susan Hapgood and organized by the Independent Curators International (catalogue).
Travels to: Museum London, London, ON, Canada, December 6–February 22, 2009
Huntington Museum of Art, Huntington, WV, March 13– May 24, 2009
Rodman Hall Arts Center, Brock University, St. Catharines, ON, Canada, June 12–August 21, 2009
Paul and Lulu Hilliard University Art Museum, University of Louisiana, Lafayette, LA, September 18–December 31, 2009
Joel and Lila Harnett Museum of Art, University of Richmond Museums, Richmond, VA, January 26, 2010– March 4, 2010
Tanya Bonakdar Gallery, New York, NY, The Office (downsized), January 10–February 9

2007
Perspectives 159: Superconscious: Automatisms Now, curated by Paola Morsiani, Contemporary Arts Museum Houston, Houston, TX, USA (catalogue)
The Office, Tanya Bonakdar Gallery, New York, NY, USA
Exhibitionism: An Exhibition of Exhibitions of Works from the Marieluise Hessel Collection, curated by Matthew HiggsHessel Museum of Art, Center for Curatorial Studies, Bard College, Annandale-on- Hudson, NY, USA (catalogue)
Post-Retro, curated by Monica Moran and Justin Lieberman, Brooklyn Fire Proof, Brooklyn, NY, USA
1st Athens Biennial 2007: Destroy Athens, curated by Xenia Kalpaktsoglou, Poka-Yio, and Augustine Zenakos, The City of Athens Technopolis, Athens, Greece (catalogue)
Effigies, Stuart Shave/Modern Art, London, UK
Andrea Rosen Gallery in Amagansett, Amagansett, NY, The Dining Room Show, July 21– 22
New at the Nasher, Nasher Museum of Art at Duke University, Durham, NC, USA
No context, Taka Ishii Gallery, Tokyo, Japan
Warhol and . . . , Kantor/Feuer Gallery, Los Angeles, CA,  USA
Scheitern, curated by Gabriele Spindler, Landesgalerie Linz, Linz, Austria (catalogue)
The Sorcerer’s Apprentice: Late Picasso & Contemporary Painters, curated by Max Henry, Galleri Faurschou, Copenhagen, Denmark  (catalogue)

2006
In the darkest hour there may be light: Works fromDamien Hirst’s murderme collection, Serpentine Gallery, London, UK (catalogue)
Text-Formed Drawing, curated by Barry Rosenberg, Contemporary Art Galleries, University of Connecticut, Storrs, CT, USA
Defamation of Character, organized by Neville Wakefield, MoMA PS1, Long Island City, NY, USA
The Dining Room Show and an Outdoor Sculpture Project by Sean Landers, Andrea Rosen Gallery in Amagansett, Amagansett, NY, USA
4th Berlin Biennial for Contemporary Art: Of Mice and Men, curated by Maurizio Cattelan, Massimiliano Gioni, and Ali Subotnik and organized by KW Institute for Contemporary ArtBerlin, Germany
Happiness, curated by Martin Germann, Gagosian Gallery Berlin venue, Berlin, Germany (catalogue)
Survivor, organized by David Rimanelli, Bortolami-Dayan Gallery, New York, NY, USA  (catalogue)
And Therefore I Am, curated by John Weber, Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, NY, USA

2005
Looking at Words: The Formal Presence of Text in Modern and Contemporary Works on Paper, conceived by Barbaralee Diamonstein-SpielvogelAndrea Rosen Gallery, New York, NY, USA
Take It Further! (Part II), curated by Gyonata BonviciniAndrew Mummery Gallery, London, UK
Summer Exchange, China Art Objects at Bowie Van Valen Gallery, Amsterdam, The Netherlands
Curvaceous, Andrea Rosen Gallery, New York, NY, USA
Private View, 1980–2000. Collection Pierre Huber, curated by Yves Aupetitalot, Musée Cantonal de Beaux-Arts de Lausanne, Lausanne, Switzerland  (catalogue)
Walead Beshty, Sean Landers, Erlea Maneros, JP Munro and Andy Ouchi, and Michael Wetzel, China Art Objects, Los Angeles, CA, USA
On Stage: Jamie Isenstein, Les Krims, Sean Landers, Charlemagne Palestine, Sue Tompkins, Galerie Giti Nourbakhsch, Berlin, Germany
Playtime, curated by Sara Krajewski and Pamela Meredeth, Henry Art Gallery, University of Washington, Seattle, WA, USA

2004
Guardare, raccontare, pensare, conservare: Quattro percorsi del libro d’artista dagli anni sessanta ad oggi, curated by Anne Moeglin-Delcroix, Liliana Dematteis, Giorgio Maffei, and Annalisa Rimmaudo, Casa del Mantegna, Mantova, Italy (catalogue)
Land of the Free, curated by Lee Plested, Jack Hanley Gallery, San Francisco, CA, USA
The Thought That Counts, organized by Jason Meadows, Sister, Los Angeles, CA, USA
I Am the Walrus, curated by Jan Avgikos, Cheim & Read, New York, NY, USA (brochure)
Ten-Year Anniversary Exhibition, Taka Ishii Gallery, Tokyo, Japan
Nature Study: A Selection of Artists’ Studies from New York and Los Angeles, curated by Sarah Vanderlip, Todd Madigan Gallery, California State University, Bakersfield, CA, USA
Likeness: Portraits of Artists by Other Artists, curated by Matthew Higgs and co-organized by CCA Wattis Institute and Independent Curators International, CCA Wattis Institute for Contemporary Arts, San Francisco, CA, USA (catalogue). Travels to: McColl Center for Visual Art, Charlotte, NC, USA; Institute of Contemporary Art, Boston, MA, USA; Dalhousie University Art Gallery, Halifax, NS, Canada; University Art Museum, California State University Long Beach, Long Beach, CA, USA; Illingworth Kerr Gallery, Alberta College of Art, Calgary, AB, Canada; Contemporary Art Center of Virginia, Virginia Beach, VA, USA

2003
Today’s Man, John Connelly Presents, Travels to: Hiromi Yoshii Gallery, Tokyo, Japan
Rendered: Works on Paper from 46 Artists, Sara Meltzer Gallery, New York, NY, USA
Nature Boy, curated by Doug Wada, Elizabeth Dee Gallery, New York, NY, USA
Paris Is Burning, curated by Darren Flook, Entwistle Gallery, London, UK
Drop Out!, China Art Objects, Los Angeles, CA, USA
Influence, Anxiety and Gratitude, curated by Bill Arning, MIT List Visual Arts Center, Cambridge, MA, USA
Thatcher, curated by Tara Howard, The Blue Gallery, London, UK
The Affair Is Over, Andrea Rosen Gallery, New York, NY, USA
Gallery Artists, Taka Ishii Gallery, Tokyo, Japan
Comic Release: Negotiating Identity for a New Generation, curated by Vicky A. Clark and Barbara J. Bloemink, tour organized by Pamela Auchincloss/Arts Management, Regina Gouger Miller Gallery, Carnegie Mellon University, Pittsburgh, PA, USA (catalogue). Travels to: Contemporary Arts Center, New Orleans, LA; University Art Gallery, University of North Texas, Denton, TX; University of Arizona Museum of Art, Tucson, AZ; Western Gallery, Western Washington University, Bellingham, WA; Armory Center for the Arts, Old Pasadena, CA; Arthouse at the Jones Center, Austin, TX, USA

2002
Face/Off: A Portrait of the Artist, curated by Simon Groom, Kettle’s Yard, University of Cambridge, Cambridge, UK (catalogue). Travels to: Towner Art Gallery and Local Museum, Eastbourne, UK
Center for Curatorial Studies Tenth Anniversary: Text, Texture, Touch, curated by Tobias Ostrander, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, USA (catalogue)
To Whom It May Concern, curated by Matthew Higgs, CCAC Wattis Institute for Contemporary Art, San Francisco, CA,  (catalogue)
Copy, curated by Neville Wakefield, Roth Horowitz, New York, NY, USA
Heaven Knows I’m Miserable Now: Two-Year Anniversary Exhibition, LOW, Los Angeles, CA, USA

2001
Desire Admire Acquire, curated by David Platzker, Arcadia University Art Gallery, Glenside, PA, USA
Au rendez-vous des amis (La ligne seule) 2, Vivement 2002! Sixième épisode, Musée d’Art Moderne et Contemporain, Geneva, Switzerland
Tele[visions]: Kunst Sieht Fern, curated by Joshua Decter, Kunsthalle Wien, Vienna, Austria (catalogue)
Extra Art: A Survey of Artists’ Ephemera, curated by Steven Leiber, CCAC Wattis Institute for Contemporary Art, San Francisco, CA, USA (catalogue)
Alumni Choice: An Exhibition of Works on Paper, curated by Andrew Forge, Yale University School of Art, Yale University, New Haven, CT, USA (catalogue; not in Exhibition Catalogue section)
Soyez réalistes, Demandez l’impossible (. . . suite), Galerie Jennifer Flay, Paris, France
The Way I See It: Chantal Joffe, Karen Kilimnik, Sean Landers and Lisa Milroy, Galerie Jennifer Flay, Paris, France

2000
Salon, curated by David Gilmour, Delfina Project Space, London, UK
2000 Años Luz, curated by Ángel Luis de la Cruz Aguilar, Galeria Leyendecker, Santa Cruz de Tenerife, Canary Islands, Spain (catalogue)
Kin, curated by Caoimhín Mac Giolla Léith, Kerlin Gallery, Dublin, Ireland
00, Barbara Gladstone Gallery, New York, NY, USA (catalogue)
Body Beautiful, Galerie Jennifer Flay, Paris, France
Selections from the Permanent Collection of Modern and Contemporary Art, Denver Art Museum, Denver, CO, USA
Arte Americana, Ultimo Decennio, curated by Claudio Spadoni, Loggetta Lombardesca, Ravenna, Italy (catalogue)
Group Exhibition of Gallery Artists, Rebecca Camhi Gallery, Athens, Greece

1999
A Place Called Lovely, curated by Sima Familant, GreeneNaftali, New York, NY, USA
Gallery Swap, Contemporary Fine Arts at Sadie Coles HQ, London, UK
Self Evident, curated by Rebecca Dimling Cochran, Vaknin Schwartz, Atlanta, GA, USA
Etcetera, curated by Alex Farquharson, Spacex, Exeter, UK
Examining Pictures: Exhibiting Paintings, curated by Francesco Bonami and Judith Nesbitt, Whitechapel Art Gallery, London, UK (catalogue). Travels to: Museum of Contemporary Art, Chicago, IL; University of California Los Angeles, Hammer Museum, Los Angeles, CA, Museo de Arte Alvar y Carmen T. Carrillo Gil, Mexico City, Mexico, Colección Jumex (catalogue)
Positioning, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, USA
Hello Mr. Soul, curated by Tony Tasset, Gallery 400, University of Illinois at Chicago, Chicago, IL, USA

1998
Encyclopedia 1999, Turner & Runyon Gallery, Dallas, TX, USA
Word Perfect, curated by Karen Indeck, Gallery 400, University of Illinois at Chicago, Chicago, IL, USA
Hanging, curated by Márcia Fortes, Galeria Camargo Vilaça, São Paulo, Brazil (catalogue). Travels to: Paço Imperial, Rio de Janeiro, Brazil; Museum of Modern Art, Recife, Brazil,
Artist/Author: Contemporary Artists’ Books, organized by the American Federation of ArtsWeatherspoon Art Gallery, Greensboro, NC, USA (catalogue). Travels to: Emerson Gallery, Hamilton College, Clinton, NY; Museum of Contemporary Art, Chicago, IL; Lowe Art Museum, University of Miami, Coral Gables, FL; Western Gallery, Western Washington University, Bellingham, WA; University Art Gallery, University of Massachusetts, Amherst, MA; Museum van Hedendaagse Kunst, Ghent, Belgium

1997
Heart, Mind, Body, Soul: American Art in the 1990s, Selections from the Permanent Collection, curated by Thelma Golden, Whitney Museum of American Art, New York, NY, USA
Kunst . . . Arbeit: Aus der Sammlung Südwest LB, curated by Stephan Schmidt-Wulffen, Südwestdeutsche Landesbank Forum, Stuttgart, Germany (catalogue)
Tanti Video, Arcate Art Fabrica, Turin, Italy
From a Whisper to a Scream, Ten in One Gallery, Chicago, IL, USA

1996
A/drift: Scenes from the Penetrable Culture, curated by Joshua Decter, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, USA (catalogue)
Galerie Declercq, Knokke, Belgium
Against: Thirty Years of Film and Video, Anthony d’Offay Gallery, London, UK
So You Want to Be a Rock and Roll Star: Artists “Sing” on Screen, curated by Dominic Molon, Museum of Contemporary Art, Chicago, IL, USA
Let Me Bring You Down, curated by Two Dollar Guitar (Tim Foljahn and Steve Shelley), Art Initiatives 148 Gallery, New York, NY, USA
Nach Weimar, curated by Klaus Biesenbach and Nicolaus Schafhausen, Neues Museum Weimar, Klassik Stiftung Weimar, Weimar, Germany (catalogue)
Wunderbar—Doppeltes Spiel Mit Dem Schönen, curated by Stephan Schmidt-Wulffen, Kunstverein in Hamburg, Hamburg, Germany. Travels to: Kunstraum Niederösterreichische, Vienna, Austria
Push-Ups, curated by Emily Tsingou, “the factory,” Athens Fine Arts School, Athens, Greece (catalogue)
Toons, curated by Jacob Fabricius, Galleri Campbells Occasionally, Copenhagen, Denmark
Sammlung Volkmann zeigt: Faustrecht der Freiheit, curated by Ulrike Rüdiger, Kunstsammlung Gera, Gera, Germany (catalogue). Travels to: Neues Museum Weserburg, Bremen, Germany, curated by Peter Friese
Sugar Mountain, curated by Paul Ha and Andrea Scott, White Columns, New York, NY, USA
Incestuous, curated by Tiong Ang and Carter Kustera, Thread Waxing Space, New York, NY, USA
Rotterdam on Line, MK Expositieruimte, Rotterdam, The Netherlands
Young Americans: New American Art in the Saatchi Collection: Part I, Saatchi Gallery, London, UK (catalogue)

1995
Art against AIDS Copenhagen, Galerie Mikael Andersen, Copenhagen, Denmark
I’m Writing in Lacanian Ink, curated by Richard Foreman and Josephina Ayerza, Deutsches Haus, Columbia University, New York, NY, USA
Raw, Postmasters Gallery, New York, NY, USA
Next of Kin: Looking at the Great Apes, curated by Ron Platt, MIT List Visual Arts Center, Cambridge, MA, USA (catalogue)
Word for Word, curated by Paula Marincola, Beaver College Art Gallery, Glenside, PA, USA
Scribble, organized by Deborah Wilk, Hyde Park Art Center, Chicago, IL, USA
New Acquisitions: An Exhibition of Artists’ Books and Multiples, Art Metropole, Toronto, ON, Canada
Autres Victoires, curated by Jean-Yves Jouannais, Le Fonds Regional d’Art Contemporain Auvergne au Château de la Louvière, Montluçon, France (catalogue)
I Confess, Nikolaj, Copenhagen Contemporary Art Center, Copenhagen, Denmark
International Festival of Films on Art, artist films section organized by Jan Mot, Casino Knokke, Knokke, Belgium (catalogue)
Komix, Brooke Alexander Editions, New York, NY, USA
Narcissistic Disturbance, curated by Michael Cohen, Ben Maltz Gallery, Otis College of Art and Design, Los Angeles, CA, USA (catalogue)
Center for Contemporary Art, Glasgow, Scotland

1994
A Series of Rotating Installations (Week 5: November 22–26: Sean Landers and Muriel Brown George), Andrea Rosen Gallery, New York, NY, USA
Recent Acquisitions from the Rivendell Collection, Bard College Center for Curatorial Studies, Annandale-on-Hudson, NY, USA
Noritoshi Hirakawa, Sean Landers, Jan Vos, Jeanne Dunning, Galerie Christian Drantmann, Brussels, Belgium
David’s Friends, curated by Timothy Fichtner and David Zin, Bernard Toale Gallery, Boston, MA, USA
Esprit d’amusement, curated by Eva Maria Stadler and Thomas Trummer, Grazer Kunstverein im Stadtmuseum Graz, Graz, Austria (catalogue)
Das Jahrhundert des Multiple Von Duchamp bis zur Gegenwart, curated by Felix Zdenek, Deichtorhallen Hamburg, Hamburg, Germany (catalogue)
Exposition, Galerie Jennifer Flay, Paris, France
Die Orte der Kunst, curated by Dietmar Elger, Sprengel Museum Hannover, Hannover, Germany (catalogue and brochure)
Arte in Video: 22 Inches, curated by Tommaso Corvi Mora, Inter Nos and Galerie Pasquale Leccese, Milan, Italy
Sea Change: Franklin Furnace Benefit, Josh Baer Gallery, New York, NY, USA
Auto-Eroticism, video screening, organized by Nicolas Trembley for A Bao A Qou, Paris School of Design, Paris, France
Can You Always Believe Your Eyes? Recent American Drawings, curated by Rob Perrée and Lydia Schouten, De Beyerd Centrum voor Beeldende Kunst, Breda, The Netherlands (brochure)
Sammlung Volkmann, Kasper König, Cologne, Germany
Don’t Postpone Joy or Collecting Can Be Fun!, curated by Rudi Molacek and Barbara Steffen, Neue Galerie Graz, Graz, Austria. Travels to: Austrian Cultural Institute, New York, NY, USA (catalogue)
The Box, A+M Bookstore, Milan, Italy
Intercourse, curated by Pablo Gomez and Daniel Carello, Mustard, Brooklyn, NY, USA
Cocktail I, curated by Stephan Schmidt-Wulffen, Kunstverein in Hamburg, Hamburg, Germany
Backstage: Topologie zeitgenössischer Kunst, curated by Martin Schwander, Kunstmuseum Luzern, Lucerne, Switzerland (catalogue)
Don’t Look Now, organized by Joshua Decter, Thread Waxing Space, New York, NY (catalogue)
Passing Through, curated by Ugo Rondinone, Galerie Walcheturm, Zürich, Switzerland

1993
Tavelli Gallery, Aspen, CO, USA
Audience 0.01, curated by Helena Kontova, Vera Vita Gioia, Naples, Italy (catalogue). Travels to: Trevi Flash Art Museum of Contemporary Art, Trevi, Italy; Ben Maltz Gallery at Otis College of Art and Design, Los Angeles, CA, USA
Galerie Esther Schipper, Cologne, Germany
Phenylovethylamour, curated by Lothar Hempel and Carsten Holler, Unfair booth #26, Galerie Daniel Buchholz, Cologne, Germany
Influx, Gallery 400 at the University of Illinois at Chicago, Chicago, IL, USA
Backstage: Topologie zeitgenössischer Kunst, curated by Stephan Schmidt-Wulffen and Barbara Steiner, Kunstverein in Hamburg, Hamburg, Germany (catalogue)
Die Sprache der Kunst, curated by Eleonora Louis and Toni Stooss, Kunsthalle Wien, Vienna, Austria (catalogue). Travels to: Frankfurter Kunstverein, Frankfurt, Germany
Summer Group Show, Galerie Esther Schipper, Cologne, Germany
Word of Mouth, curated by Ana de Portela, Brian Butler, and Stephan Dillemuth and Joseph Strau, Friesenwall 120, Cologne, Germany. Travels to: Bruno Brunnet Fine Arts, Berlin, Germany; Dogenhaus Galerie Leipzig, Leipzig, Austria; Palais des Beaux-Arts, Brussels, Belgium
summer group show, Tom Cugliani Gallery, New York, NY, USA
TranceSEX: A State of Mystical Absorption, curated by Les Ayre, Erika Knerr, and Amanda M. Obering, Mondrian Hotel, West Hollywood, CA, USA
XLV Venice Biennale: Aperto ’93: Emergency, curated by Achille Bonita Oliva and Helena Kontova, Standards section curated by Nicolas Bourriaud, La Biennale di Venezia, Arsenale, Venice, Italy (catalogue)
Yale Collects Yale, curated by Sasha M. Newman, Yale University Art Gallery, New Haven, CT, USA (catalogue)
The 16th Anniversary Benefit Auction, New Museum of Contemporary Art, New York, NY, USA
Sean Landers, Raymond Pettibon, Richard Prince, Galerie Jürgen Becker, Hamburg, Germany
SoHo at Duke IV: In Search of Self, curated by Lisa Costantino and Valerie Hillings, Duke University Museum of Art, Durham, NC, USA (catalogue)
Confessional, curated by Andrea Scott, Elizabeth Koury Gallery, New York, NY, USA

1992
The Anti-Masculine (Overlapping, but Not Corresponding to the Feminine), curated by Bill Arning, Kim Light Gallery, Los Angeles, CA, USA (essay)
Transgressions in the White Cube: Territorial Mappings, curated by Joshua Decter, Suzanne Lemberg Usdan Gallery, Bennington College, Bennington, VT, USA (catalogue)
Under Thirty, curated by Erik Oppenheim, Galerie Metropol, Vienna, Austria (catalogue)
Tattoo Collection, Andrea Rosen Gallery, New York, NY, USA. Travels to: L’Art dans la peau, Centre Regional d’Art Contemporain, Nantes, France
New Deal, Bruno Brunnet Fine Arts, Berlin, Germany
I, Myself and Others, curated by Thierry Ollat, Magasin–Centre National d’Art Contemporain de Grenoble, Grenoble, France
Third Annual Exhibition of Collector’s Choice of Emerging Artists, invited by Jay Chiat, Vered Gallery, East Hampton, New York, USA
Into the Lapse (Program 1), curated by Jean Rasenberger and Brian D. Butler 1301, Santa Monica, CA, USA (catalogue). Travels to: Royal Danish Academy of Fine Arts, Copenhagen, Denmark; Karsten Schubert Ltd., London, UK; Les Expositions du Palais des Beaux-Arts, Brussels, Belgium
Paradise Europe, billboard project in suburbs of Copenhagen and video installation at NY Carlsberg Glyptotek, organized by BizArt and curated by Andrea Rosen Gallery, New York, NY; Daniel Buchholz, Cologne, Germany; Galería La Máquina Española, Madrid, Spain; Stalke Out of Space, Copenhagen, Denmark; and Galleria Paolo Vitolo, Rome, Italy; Ny Carlsberg Glyptotek, Copenhagen, Denmark (catalogue)
Group Drawing Show, Stuart Regen Projects, Los Angeles, CA, USA
Galerie Esther Schipper, Cologne, Germany
Water Bar, curated by Erik Oppenheim, 303 Gallery, New York, NY, USA
Free Lunch, organized by Erik Oppenheim, Centre d’Art Contemporain, Martigny, Switzerland
240 Minuten!, curated by Lothar Hempel and Georg Graw, Galerie Esther Schipper, Cologne, Germany

1991
Ornament: Ho Hum All Ye Faithful, John Post Lee, New York, NY, USA
L’Esprit Bibliothèque, organized by Les Editions Belle Haleine, La Galerie du Mois, Paris, France (catalogue)
Plea-sure, curated by Steve Salzman, Hallwalls Contemporary Art Center, Buffalo, NY, USA (catalogue)
Letters, Christine Burgin Gallery, New York, NY, USA
Videos and a Film about Some Schmoes Who Are Trying to Conform (Yet Miss), Robbin Lockett Gallery, Chicago, IL, USA
Gulliver’s Travels, curated by Sophia Ungers, Galerie Sophia Ungers, Cologne, Germany (catalogue)